BUNAVARNA

Forum for

Contemporary

Art 0205.10

Native Resolution

(Innate ИНАТ)

What is the relationship between the human being and the sustainability of models for the future?

Curators

We are pleased to welcome Luchezar Boyadjiev and Boyana Dzhikova to this year’s BUNA Forum for Contemporary Art curatorial team. Both demonstrate a strong sensitivity to meaning and content in visual storytelling, while remaining highly demanding in terms of artistic expression. Working with external experts is a sustainable, core element of the festival’s philosophy, creating conditions for dialogue and the exchange of diverse perspectives. The curatorial team is responsible for selecting participants through the Open Call and nominating artists for the Balkan Contemporary Art Prize.

Luchezar Boyadjiev

LuchezarBoyadjiev

Curator

1/2

The curator of BUNA 4.0, under the theme “Native Resolution (Innate ИНАТ)”, is Luchezar Boyadjiev – an artist and curator, trained as an art historian at the National Academy of Art in Sofia, and co-founder of the Institute of Contemporary Art – Sofia. One of the most established figures in the contemporary art scene, Boyadjiev also has a rich international practice as an engaging performative lecturer, theoretical thinker, and author of critical and analytical texts.

Jury

René Block

RenéBlock

Jury

Germany

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Began working as an independent curator after approximately 15 years of experience in visual arts through his galleries in Berlin and New York (1964–1979). Since 1985, he has repeatedly served as artistic director of major international biennials and festivals. He curated the 4th Istanbul Biennial (1995), the October Art Salon in Belgrade (2006), and the Nordic Pavilion at the 52nd Venice Biennale (2007). In 2025, he joined the curatorial team of Manifesta 16 (2026). From 1997 to 2006, he was Director of Kunsthalle Fridericianum in Kassel, where he curated “In the Wilds of the Balkans” (2003).

BUNA Awards

Balkan
Contemporary
Art Prize
2026

BUNA Awards and Balkan Award for Contemporary Art

The BUNA Awards are determined by an international jury that selects and nominates the honorees in various categories. The nominations are announced together with the official festival program. Each BUNA award has a financial equivalent of 500 euros. A public vote determines the nomination for the Audience Award.

A key focus of this edition is the awarding of the Second Balkan Prize for Contemporary Art, with a financial equivalent of 3,000 euros, organized by the Singer-Zahariev Foundation.

The Balkan Contemporary Art Prize aims to promote the international visibility of Balkan visual artists and build sustainable connections with the global art scene, while stimulating regional cooperation and cultural exchange. The prize contributes to a broader artistic and societal dialogue and affirms the diversity of perspectives and artistic practices in the region.

→Award
→Important dates
→Jury
→Nominees / finalists
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Varna

Varna is the third-largest city in Bulgaria, located on the Black Sea coast — a place where geography, history, and cultural life are closely intertwined. Although traditionally associated with summer tourism, the city sustains an active cultural scene and a dynamic social environment throughout the year and hosts more than 50 festivals across different fields of the arts. The city brings together rich cultural heritage and a layered contemporary context: more than ten museums, extensive Roman archaeological remains, active thermal mineral springs, and a wide range of possibilities for working and living outdoors. The Sea Garden — a linear urban park stretching over 5 km — forms a natural connection between the city and the sea.

Historically, Varna is not only one of the oldest colonies in the history of the world (a former colony of Ancient Greece dating back to the 6th century BCE), but also occupies a central place in the development of contemporary art in Bulgaria. The public space of the Sea Garden preserves some of the earliest manifestations of contemporary artistic practices in the country, establishing the city as an early context for artistic experimentation. The urban structure allows for easy pedestrian movement, supported by public transport and shared mobility systems. As a tourist city, Varna operates within a multilingual environment and maintains long-standing traditions of hospitality.

The relationship with the Black Sea is fundamental to the city’s identity and appears as a horizontal thematic line within the BUNA Forum — a point of departure for artistic, research-based, historical, and cultural interpretations of the sea as a space of encounters, memory, and exchange.

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