Biography
Gery Georgieva (b. 1986 Varna, Bulgaria) is а multimedia artist who lives and works in London. Her practice encompasses video, performance, music, installation and sculpture. Taking inspiration from pop culture, showbiz, traditional folk heritage and mythology she repeatedly stages herself as a culturally migrational diva. In her performative gestures and musical alter egos, Georgieva negotiates identity as a site of mimicry and transformation — a space where pop and folk traditions collide and synthesise new meanings. Situated between the legacies of post-socialist memory and Western art discourse, her practice stages hybrid encounters where national and personal narratives are continuously translated. Through improvisation and self-staging, she examines how cultural identity is configured, interrogating media conventions, commercial gender roles and where they collide with ideas of nationhood.
Recent shows include the touring exhibition ‘Evrovizion’ in Varna & Sofia and a public commission at Skanstull Metro Station Stockholm. Other solo projects include Cubitt, London; Sörmlands Museum, Nyköping and Swimming Pool Projects, Sofia. She has performed internationally at Palais de Tokyo, Paris MDT Stockholm, Royal Academy, arebyte and Block Universe all in London. Her films have been broadcast on Channel 4 UK and screened in MOCA, Cleveland Ohio, Schirn Kunsthalle Frankfurt, FRAC Occitane, Kunsthalle Lucerne amongst many others. Georgieva has been the recipient of the Frieze Film Commission and the Gaudenz B. Ruf Award for New Bulgarian Art amongst others. She studied Fine Art at Goldsmiths, University of London, and completed her postgraduate studies at the Royal Academy Schools, London.
Archive records · BUNA vol.3 / 2025
PUNTA Gallery and Spiaggia Libera group presentation, 2025
Individual work details not supplied
Galleries & Collectives- Gallery / Collective
- PUNTA Gallery and Spiaggia Libera (FR)
- Curator / Team
- Curators: Sacha Guedj Cohen (FR), Camille Velluet (FR), Boyana Dzhikova
The seven Bulgarian artists approach the figure of the siren through the cultural, historical, and geopolitical context of the Black Sea region. Their works examine female identity, bodily autonomy, sexuality, and the possibility of reclaiming control over one’s own narrative. At the same time, they consider how maritime folklore, national identity, and collective memory are shaped by political tensions and by the fabrication, rewriting, or selective interpretation of history. Together, the works reveal both parallels and differences between the Mediterranean and Black Sea perspectives.