Biography
Constantine Zlatev (born 1974 in Ruse, Bulgaria) is a contemporary artist and industrial designer whose work confronts global issues through a lens of satire. Operating under his independent art and design studio, Made In Constantine, Zlatev investigates complex social, political, and cultural themes. His conceptual focus frequently centers on anti-war statements, peace, and the systemic impacts of gun violence.
Zlatev's practice is defined by a unique synthesis of material and technology. He pairs rigorous, traditional craftsmanship—working across glass, metal, wood, and stone—with interactive electronics and microprocessors, creating dynamic pieces that physically engage the viewer.
An internationally recognized artist, Zlatev has participated in numerous solo and group exhibitions across Europe and the United States. Notable solo exhibitions include Peace By Peace at Structura Gallery (Sofia), Trade Beads at TechShop Gallery (San Francisco), and Crossroads at 1Opera Gallery (Naples). His work has also been featured in institutional group exhibitions, such as Hunger 2.0 at the National Museum of Military History (Sofia), Up in Arms at Kunstraum Kreuzberg/Bethanien (Berlin), and Art of Peace at the Yerba Buena Center for the Arts (San Francisco).
Zlatev’s practice has been supported by several distinguished awards and international residencies. He was named the Sculpture & Installation Winner at the 7th International Arte Laguna Prize in Venice, won a glassmaking residency at the Abate Zanetti Glass School in Murano, Italy and has been a resident artist at TechShop San Francisco. He is also a multi-time recipient of creative grants from the National Cultural Fund of Bulgaria.
Archive records · BUNA vol. 4 / 2026
Sarcophagus, 2026, Stage space of 2m x 1m (minimum), Anti-radiation suit, altar, actor (artist)
Artists
Project Sarcophagus is a performance art sculpture set inside a dark WWII bunker, featuring an actor on an altar inside a Cold War-era anti-radiation suit. The viewer journeys through a ruined tunnel into a small chamber to find the figure lying like a mummy, holding a skull-like protective mask.Evoking Hamlet’s iconic question, "To be, or not to be," this artwork critiques modern society’s obsession with technological progress and survival at any cost. It asks whether survival holds any value if humanity destroys the surrounding world to achieve it.