Biography

Curator Fabiola López-Durán: Rice University, USA Originally trained in architecture and museology in Venezuela, Italy, and France, Fabiola López-Durán obtained her PhD in History, Theory, and Criticism of Art and Architecture at the Massachuse- tts Institute of Technology (MIT) in the USA. From a transnational and interdisciplinary perspective, her research and teaching ex- plore the complicities between racism and capitalism that underlie the production of the built environment. She is the author of the award-winning book Eugenics in the Garden: Transatlantic Architecture and the Crafting of Modernity (University of Texas Press, 2018)—the book that received the SAH/Mellon Author Award in 2018 and the Robert Motherwell Book Prize in 2019, awarded for the best book of the year on modernism. She is also co-editor of the new book from Aggregate Architectural History Collaborative titled Architecture in Development: Systems and the Emergence of the Global South (Routledge, 2022), author of numerous articles on art, architecture, and landscape, and of monographic books on artists including Felice Varini: Points de Vue (Baden, Switzerland: Lars Müller, 2004), Ana Maria Tavares: Atlântica Moderna: Purus e Negros (Vila Velha, Brazil: Museu Vale, 2014, with Nikki Moore), and Magdalena Fernández: Drops of Light (Houston, USA: Sicar- di-Ayers-Bacino & Buffalo Bayou Partnership, forthcoming 2026, with Rachel Hooper and Sean Nesselrode). Since 2020, López-Du- rán directs The Racial Geography Project, a research collective that examines histories of racism and resistance recorded on the campus of Rice University.

Archive records · BUNA vol. 4 / 2026

Radical Epistemologies

Curators
Gallery / Collective
Collective Studio: La Tercera Nave
Curator / Team
curator

Radical Epistemologies, curated by Fabiola López-Durán, brings together La Tercera Nave artists Allegra Esclapon, Ana Nance, Gloria Oyarzabal, Linarejos Moreno, María Gimeno, and Pia Post. Through photography, sculpture, ceramics, installation, performance, and research, the exhibition questions how knowledge is constructed: what is preserved, what is excluded, and whose histories remain invisible. Across diverse practices, the artists explore memory, territory, the body, nature, and inherited systems of representation. Their works reveal hidden structures while proposing other ways of knowing—rooted in gesture, material, emotion, resistance, and care. Art becomes both a critical space and a reparative act, imagining more just possible futures.