Biography

Lana Stojićević (b. 1989, Šibenik, based in Split) is a visual artist working in the field of artistic research. She utilizes performative and staged photography, textile, costumes, and architectural models to explore themes, such as illegal construction, architectural and industrial heritage, environmental pollution, contemporary neo-style tendencies, devastation of cultural heritage, and the transformation of the landscape as a result of mass tourism. She graduated from the Department of Painting at the Arts Academy in Split in 2012. She works as an assistant professor at the Department of Visual Culture and Fine Arts of the Arts Academy in Split. She has taken part in several artist residencies, such as Residency Unlimited, New York; Cité Internationale des Arts, Paris. She has won numerous professional awards, such as the third Erste prize, Youth Salon, Croatian Association of Artists, Zagreb (2022); the Radoslav Putar Award, Institute of Contemporary Art, Zagreb (2021); the third Ivan Kožarić Award, Museum of Contemporary Art, Zagreb (2021); the Metro Imaging Award at the New East Photo Prize exhibition, Calvert 22 Foundation, London (2016); the Annual Award for Young Artists, Croatian Association of Artists, Zagreb (2015); the second prize of the exhibition Different Worlds: Young Contemporary Photography, Photon Gallery, Ljubljana (2015). Her works are included in public art collections, such as Museum of Contemporary Art, Zagreb; Prostor – Culture Hub Croatia, Split; Erste Bank, Zagreb; The State Museum; Exhibition Centre for Photography – ROSPHOTO, St. Petersburg, Gallery of Fine Arts, Split.

Archive records · BUNA vol. 4 / 2026

The Emperor’s Dreamhouse 2024 Variable dimensions Acca Foam, Forex, aluminum frames, textile, wood, open source 3D models

Artists
Gallery / Collective
Gallery representation: Manuš Gallery, Split https://galerijamanus.com/ ig@galerijamanus
Curator / Team
Production: Kula Gallery, Split https://kula-split.com/ ig@kulacontemporary Technical associates: Glorija Lizde, Goran Radošević

Throughout the centuries, Diocletian’s Palace in Split has been adapted to the various everyday needs of its inhabitants. With the space becoming ever denser, some parts of the Palace have become “enclosed” within its interiors, creating a complex relationship between private property and cultural heritage. Today, such spaces are often transformed into tourist apartments and hotels, and insight into these spatial situations can be gained only through online accommodation rental platforms. These specifics of the Palace are interpreted through the lens of the spatiality of children’s architectural toys, defined by remarkable transformations and unexpected relationships between interior and exterior spaces.