Biography
Rose B. Simpson (born, lives, and works in Santa Clara Pueblo, NM) is a mixed-media artist whose work explores the impact, both emotional and existential, of living in the postmodern and postcolonial world. Growing up in a multigenerational, matrilineal lineage of artists working with clay, her practice is informed by indigenous tradition.
Androgynist clay figures adorned with found and manufactured objects are often at the base of Simpson’s practice. The pieces are ruminations on family, gender, marginality, as well as the effects these aspects have on the understanding of self. While the choice to work in clay is a link to familial relationships, the inherited nature of the material also adds to the concepts being presented. Just as individuals are shaped by memory and experience, objects made of clay become a record of the process that shaped them. The resulting pieces are both powerful and vulnerable and offer intimate records of self-exploration.
Simpson has a BFA from the Institute of American Indian Art, an MFA from Rhode Island School of Design and an MA in Creative Writing from the Institute of American Indian Arts. She has had recent solo exhibitions at the de Young Museum (San Francisco, CA), San Francisco Museum of Modern Art (San Francisco, CA), Museum of Modern Art (New York, NY), Cleveland Museum of Art (Cleveland, OH), Norton Museum of Art (West Palm Beach, FL), The Fabric Workshop and Museum (Philadelphia, PA), ICA Boston (Boston, MA), the Wheelwright Museum (Santa Fe, NM), the Nevada Art Museum (Reno, NV), and SCAD Museum of Art (Savannah, GA). Museum collections include the Denver Art Museum, ICA Boston, The Metropolitan Museum of Art, Museum of Contemporary Art Chicago, Museum of Fine Arts Boston, Nevada Art Museum, Pomona College Museum of Art, Portland Art Museum, Princeton University Art Museum, and San Francisco Museum of Modern Art.
Archive records · BUNA vol. 4 / 2026
To Guest, 2025, single-channel video, stereo sound 10:27 min
Artists- Gallery / Collective
- Courtesy of the artist and Jack Shainman Gallery, New York
- Curator / Team
- Commissioned by the Biennale of Sydney and the Fondation Cartier pour l’art contemporain
Rose B. Simpson’s "To Guest" explores how the concept of “a guest” carries more weight than simply the act of accepting an invitation. Shaped by and continuing the traditions of generations of tribeswomen from Santa Clara Pueblo, Simpson’s profound visual language embodies centuries of masterful craftsmanship. Both emotional and existential, the artist’s explorations aim to enrich understanding of the interconnectedness between community, land, people and the body we inhabit. Simpson calls on audiences to contemplate their relationship to an ever-changing environment and the incurring changes in custodial responsibility; she asks us to imagine solutions for a changing world.